The Tattoosday Book Review - Science Ink

If you’re still recovering from a day of camping out and fighting the crowds for Black Friday holiday gifts, might I suggest one more item for your list?

Science Ink: Tattoos of the Science Obsessed was recently published by Sterling Press and it rates as one of the finer titles on tattoos that I have seen in while. Science Ink is written by Carl Zimmer, a science writer with great credentials and whose blog rates a spot on my blogroll shortlist.

I have been a fan of Carl Zimmer’s Science Tattoo Emporium since 2008, even warranting a mention in a stand-alone post here.

I was excited to hear last year that he was compiling a book on the subject of scientific tattoos, as, unlike a lot of the work in London Tattoos (my last review, which appeared here), the ink is drenched in meaning.

As a storyteller and a writer, I’ll admit to favoring tattoos that have stories and/or specific meaning behind them. Not that I don’t appreciate a fine work of  body art that is beautiful for beauty’s sake. I just find myself more intellectually stimulated by tattoos that pack a narrative punch. This is also why I dig literary tattoos.

All that being said, Zimmer should be commended for compiling a whole slew of scientific ink, and organizing it in such a thoughtful and pleasing way. Chapters are divided up by category (Physics, Chemistry, Astronomy, Earth Sciences, etc.) with photos of the contributors work, along with a paragraph or two devoted to explaining the accompanying pieces. These are not tattoos that resulted from walking in to a shop and picking flash off the wall. Not that there’s anything wrong with that. Rather, we’re treated to tattoos that were clearly thought out and executed with the purpose of connecting to the individuals passion for their intellectual stimuli.


Tattoo purists may look at this book and cringe at the quality of some of the tattoos depicted. But the quality is not the point, and there is a lot of fine work, nonetheless. With a few exceptions, we are not seeing work contributed by tattoo aficionados. Instead, we get a glimpse of tattoos from people that you don’t normally associate with ink: scientists, doctors, university professors, and anthropologists. For that reason, Science Ink succeeds in drawing in the reader to the individual narrative behind the tattoo. What makes someone who is uninked take the leap and go under the needle?

Ultimately, it is the answer to that question that propels the mini-narratives forward and make Science Ink such a compelling read. Above and beyond the appreciation of tattoos, the book speaks to a larger audience, those who are steeped in the sciences and those who don’t consider themselves part of a “tattoo culture”. Ultimately, not everyone who is science-minded gets a tattoo related to their field, but a mathematician may understand someone’s desire to get an interesting equation inked on their forearm more than they would, say, getting a flaming skull or a scattering of cherry blossoms.

The biggest fault I find with Science Ink is not an original one. Marisa over at Needles and Sins voiced the disappointment in her review, as well, that the artists who created the body art are rarely named by the contributors. I always ask Tattoosday contributors to disclose their artists’ names to give credit where credit is due. Occasionally I  meet people who do not recall the names of their artists, but that tends to be a smaller percentage. Zimmer includes a thumbnail “visual index” of contributors. It would be nice, if there is ever a Science Ink II, to include an index of artists, as well. As a saving grace, Zimmer does credit the artists on his website here, but I only discovered that by accident.** I’d imagine, however, that to the bulk of the reading audience, the tattooist’s identity  is not as important and may seem extraneous, but for many it is nice to see credit where credit is due.

All in all, however, Zimmer hits the ball out of the park with a wonderful tattoo-themed product that I fully endorse and recommend.

With the holidays just around the corner, this would make a great gift for the science obsessed person in your life!

**After this posted, Carl Zimmer e-mailed me:

"Thanks! I agree that the artists should get credit. My designer and I put together a list, but a change in schedule prevented the publisher from putting it into the book. We'll be sure to get it into the next printing".

This entry is ©2011 Tattoosday.

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The Tattoosday Book Review: Tattooed by the Family Business

I’ll cut right to the chase: if you’re going to buy one tattoo book this spring, make sure it’s Tattooed by The Family Business, a feast for the eyes and a new standard by which all tattoo photography books should be judged.

Simply stated, this book is gorgeous, heavy on high-quality photography, focusing on the wonderful body art created by Mo Coppoletta and his crew of talented tattooists at The Family Business Tattoo Shop, a London-based establishment that has been producing breath-taking work since 2003.

If you're not familiar with Copoletta, or his studio, the book gives readers a peek inside the world of the Family Business. But aside from a one page foreword, and a couple pages of introduction, this lovely book is light on text, and heavy on images from photographers Fredi Marcarini and Chris Terry.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

The two hundred plus pages are filled with lush images of life in the shop and, more importantly, the high quality work created by the artists. Divided up into five sections, titled "The Family," "The Business," "The Art," "The Work," and "The Patrons," this is not just about Coppoletta and his own work. The reader is also introduced to the whole family: Kanae, Mie Satou, Dominique Holmes, Diego Brandini, and Diego Azaldegui.

Some may draw comparisons to the books the American tattoo artist Kat Von D, which I have favorably reviewed in the past on this site. Tattooed by the Family Business is in a different league. It is as you would expect, Von D's books are busy and filled with words and images; whereas Coppoletta's book exudes a classiness to which other artists can only aspire.

In fact, an online review hardly does it justice. Photography dominates and, whereas the tattoo, or the process of tattooing is always at hand, the beauty of the book also lies in its images. Ultimately, I believe, it's what most serious artists want to see in a tattoo book. Although some may criticize that, in some of the photos, the details of the tattoos themselves are lost in the framing of the photograph, I would argue that these images are just as compelling as the close-ups, as one sees the way the tattoos are placed, and how they flow along the lines of the human form.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

One of the neat features within this volume are several sketches on pages designed to resemble transparencies, where are laid over images of the tattoos themselves. The reader is treated to the full-page two-dimension image from which the artist drew his inspiration, and then can compare it to the end result.

Here on Tattoosday, where most of the tattoos we see are from New York-based artists, I have, in several years, only had the pleasure of encountering Coppoletta's work once, documented here. Therefore, getting to see a more expansive look at his work, as well as that of other artists in The Family Business, is a real pleasure.

Tattooed by the Family Business is a veritable feast. I keep returning to it, marveling at the craftsmanship and beauty of the tattoos. I highly recommend it to artists and aficionados alike. The book is a work of art in and of itself, and the fact that it so beautifully and simply celebrates the art makes it a must-read, a must-relish, and a must-have for every tattoo library.

The Tattoosday Book Review: Tattooed by the Family Business

I’ll cut right to the chase: if you’re going to buy one tattoo book this spring, make sure it’s Tattooed by The Family Business, a feast for the eyes and a new standard by which all tattoo photography books should be judged.

Simply stated, this book is gorgeous, heavy on high-quality photography, focusing on the wonderful body art created by Mo Coppoletta and his crew of talented tattooists at The Family Business Tattoo Shop, a London-based establishment that has been producing breath-taking work since 2003.

If you're not familiar with Copoletta, or his studio, the book gives readers a peek inside the world of the Family Business. But aside from a one page foreword, and a couple pages of introduction, this lovely book is light on text, and heavy on images from photographers Fredi Marcarini and Chris Terry.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

The two hundred plus pages are filled with lush images of life in the shop and, more importantly, the high quality work created by the artists. Divided up into five sections, titled "The Family," "The Business," "The Art," "The Work," and "The Patrons," this is not just about Coppoletta and his own work. The reader is also introduced to the whole family: Kanae, Mie Satou, Dominique Holmes, Diego Brandini, and Diego Azaldegui.

Some may draw comparisons to the books the American tattoo artist Kat Von D, which I have favorably reviewed in the past on this site. Tattooed by the Family Business is in a different league. It is as you would expect, Von D's books are busy and filled with words and images; whereas Coppoletta's book exudes a classiness to which other artists can only aspire.

In fact, an online review hardly does it justice. Photography dominates and, whereas the tattoo, or the process of tattooing is always at hand, the beauty of the book also lies in its images. Ultimately, I believe, it's what most serious artists want to see in a tattoo book. Although some may criticize that, in some of the photos, the details of the tattoos themselves are lost in the framing of the photograph, I would argue that these images are just as compelling as the close-ups, as one sees the way the tattoos are placed, and how they flow along the lines of the human form.

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

Image copyright: Fredi Marcarini and Chris Terry
Taken from Tattooed by the Family Business (Pavilion)

One of the neat features within this volume are several sketches on pages designed to resemble transparencies, where are laid over images of the tattoos themselves. The reader is treated to the full-page two-dimension image from which the artist drew his inspiration, and then can compare it to the end result.

Here on Tattoosday, where most of the tattoos we see are from New York-based artists, I have, in several years, only had the pleasure of encountering Coppoletta's work once, documented here. Therefore, getting to see a more expansive look at his work, as well as that of other artists in The Family Business, is a real pleasure.

Tattooed by the Family Business is a veritable feast. I keep returning to it, marveling at the craftsmanship and beauty of the tattoos. I highly recommend it to artists and aficionados alike. The book is a work of art in and of itself, and the fact that it so beautifully and simply celebrates the art makes it a must-read, a must-relish, and a must-have for every tattoo library.